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Lewisville Lake
International
Chamber Series
Featuring emerging artists from around the world.
Free concerts in an intimate setting
Sponsored by the Lewisville Lake Symphony in
cooperation with the University of North Texas

Four Hands, One Piano
Sponsored by Rahna Raney
Anton
Mordasov
Violetta Zharkova
 
Friday, December 28, 2007, 7:30pm
Trinity Presbyterian Church
(Map)
5500 Morriss Road, Flower Mound TX
75028
(Just south of Marcus HS, on the other side of the road.)
Concert is free -
a donation to the Symphony is welcomed
Chopin: Andante Spinato and Grand
Polonaise in E flat Major
Barber: Souvenirs
I. Waltz (The
Lobby)
II. Schottische (Third Floor Hallway)
III. Pas de Deux (A Corner of the Ballroom)
IV. Two-Step (Tea in the Palm Court)
V. Hesitation-Tango (A Bedroom Affair)
VI. Gallop (The Next Afternoon)
Intermission
Brahms: Five Hungarian Dances
Gavrilin: Sketches for Four-hands
Anton Mordasov
Anton
Mordasov was born in Novosibirsk, the largest city in the Siberian
region of Russia. He began his musical studies at the age of five and,
at eleven, appeared with the Novosibirsk Symphony Orchestra. After
studying at the Novosibirsk State Conservatory he was accepted by the
Moscow Conservatory of Music.
In 1990, Mordasov was awarded the first
prize at the Sergei Rachmaninov International Piano Competition in
Moscow. Following the award, he gave a solo performance in Switzerland
under the auspices of Alexander Conus Rachmaninov, grandson of the
composer.
In
the same year he won the bronze in the Tchaikovsky International
competition. The competition, held once every four years , regularly
attracts more than 600 applications from around the world.
Later Anton was one of 35 participants
invited to participate in the Tenth and Eleventh Van Cliburn
International Piano Competitions.
In 1996, he entered the ‘Artist Diploma’
program at TCU in Fort Worth. In the same year, he made his New York
debut at Carnegie Hall with the New Moscow Symphony Orchestra.
Anton Mordasov has given concerts in his
native Russia, as well as in Germany, England, Croatia, Switzerland,
Italy and Japan. In the United States, he has also given recitals in
Houston and other cities across Texas, Palm Beach (broadcast by PBS),
Augusta and New Orleans. His 1998 performance at the Alice Tully Hall
in Lincoln Center was highly acclaimed by the New York Times. (The
New York Times reviews Anton Modasov) He won the second
prize in the 2001 New Orleans International Piano Competition.
Violetta Zharkova
Violetta was born and raised in the
Siberian region of Russia where she received a comprehensive music
education that included seven years of studies at a music school and
four years at a music college where she received a bachelor degree. The
next five years were spent at the Novosibirsk State Conservatory where
she was awarded a master's degree.
She
was fortunate to be taught by Mary Lebenzon, one of Russia’s leading
piano professors. She also completed a two-year course of postgraduate
studies, known in Russia as the 'aspirantura,' at the same institution
with the same professor.
At an early age, Violetta had a chance
to perform in different cities throughout Russia and became a prize
winner of several regional competitions. The performances with the
Novosibirsk Symphony Orchestra lead her to the highly regarded
Novosibirsk State Conservatory.
After graduating from the Conservatory,
she was invited to join the piano faculty of Novosibirsk Music School
for Specially Gifted children. Violetta greatly enjoyed working with her
students at the Music School several of whom became prize
winners in numerous International Piano Competitions in Italy, Andorra,
Germany, and the Ukraine.
While teaching, she also continued her
performance activity with concerts in Novosibirsk and other cities of
the Siberian region. In 2002-2003 she took master classes with renowned
pianists Lev Naumov and Naum Shtarkman. As a result, she was invited to
perform in a very successful series of concerts in Moscow and St.
Petersburg.
Now Violetta is continuing her education
at the University of North Texas in order to broaden her musical outlook
and better understand some modern trends in classical and
contemporary music -- something Russian students are not taught.
Violetta hopes that in the United States
she will have a chance to communicate with other musicians, learn more
about music, taking her to a new professional level.
Samuel
Barber's 'Souvenirs'
'Souvenirs' was written in 1952 as a four-hand piece
played by
Barber for and his friend Charles Turner to amuse their acquaintances.
Barber had his gather-round-the-piano side. It eventually became a
scintillating New York City Ballet score.
The composition weds nostalgia to gentle humor as he
captures the plush age of Edith Wharton’s old New York. Barber reveled
in the ambiance of the color and lifestyle of the luxury
hotels of Europe and America — particularly the Plaza.
When he was in New York he often went there for
afternoon tea just to hear the continental trio perform the sugary music
that embodied the aura of an earlier America he loved.
The Plaza is still stands where 5th Avenue meets Central
Park and has regularly plays a backdrop role on TV, for example, in 'Sex in the City'
and 'The Sopranos' and movies from 'Barefoot in the Park' to 'Crocodile
Dundee.' It made its debut in 'North by Northwest.'
Right now it's closed for a massive overhaul that will
turn it into a combination of hotel and condos. One condo has reportedly sold
for $50 million.
Those of us not in that price range can visit through
'Souvenirs.' Anton
and Violetta provide the musical story of a meeting at the hotel with an
outcome that's left to speculation. As it happens, the Plaza is scheduled to reopen three
days after this concert.

The Plaza
Samuel Osborne Barber
Born on March 9, 1910 in West
Chester, Pennsylvania
Died on January 23, 1981 in New
York City
Samuel Barber began to play the piano at age six,
composed music at age seven, and at age fourteen he became one of the
first charter students at the Curtis Institute, studying both
composition and singing. In 1935 his cello sonata won a Pulitzer
scholarship and in 1936 the American Academy’s Prix de Rome.
The
following year he wrote his String Quartet in B minor, the second
movement of which he then arranged for string orchestra as his Adagio
for Strings. The popularity of the Adagio has somewhat overshadowed the
rest of Barber’s output. However, he is seen as one of the most
talented American composers of the 20th Century.
Barber’s
music is in the European traditional line rather than specifically
American. He avoided the experimentalism of some other American
composers of his generation, preferring relatively traditional harmonies
and forms. His work is lushly melodic and has often been described as
neo-romantic. Although never a prolific composer, Barber wrote much
less after the flop of his opera “Anthony and Cleopatra” in 1966. He
died in New York City in 1981.
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